Ranarh's Art Blog

The beasts called wempons were among the first concepts I stuck with when I began developing Genius Loci years ago, and their design has never changed much. My main inspirations were anteaters, watussi cattle, and pangolins, but there's a bit of elephant and camel in it too, the latter mainly in their behaviour. Wempons have large burrowing claws they can also use for climbing (yes, there are trees on Kitas that can carry a beast of almost four tons). Their muscular tails can grab, although they are not very dextrous. They are mostly vegetarian, preferring leaves, fruit, and roots, but also eat bugs and the likes. Thick scales protect their upsides, long thick fur the underside, their horns are enormously long - riders climb their mount holding on to them or stepping on a bent leg. They are great mounts if one can get along with them. Wempons are picky about riders and hard to get used to being rented; usually they belong to a single rider. They need additional training to serve ...

I wanted to share some of the things I thought you might find useful for the creation of fantasy maps. The examples are from my own fantasy world "Genius Loci". First things first: Decide how the world will look, and how big the map will be, geographically. If you are creating an entire world like I am, start with the continents. The very first layout can be however messy you want, but then get some large paper (the line sketch is on A3. I already marked some major topographical landmarks). Mark the general shape of the continent lightly with a pencil, then draw the land. Just wiggle your pen while you make your way around the landmass. Don't forget interesting shapes, like bays, islands, peninsulas, and so forth. It doesn't have to work all at once; you can go over the outlines as many times as you need until you're satisfied. I imagine there to be a much larger amount of islands later, but these are as small as I want to see on this scale. I tra...

Over the last decade I have been thinking about my own world, but never took a longer time period to work on it seriously. That time has come now. Prepare to enter a world filled with mysteries. Genius Loci is a setting spanning an entire planet. From the endless forests of the contintent Gdera to Sawa's volcanic wastelands to the vast deserts of Lozir, mysteries from ages past lay scattered in lands that have not been traveled since the ancient times. Places of magical puzzles are populated by spirits of nature or those of the dead; ghostly figures roam their former homes, while the most powerful spirits' domains cannot be entered without protection. The mages and wizards, while hunting the same goal, will wage war on each other at even a slight provocation. It is a place where strange customs await the traveler. Never be too sure what to expect around the corner. Some of the races and landscapes of Genius Loci will be familiar, while others are entirely new. I have a lo...

I made up a small sketching group with friends, and the subject "Awkward roleplaying moments" came up. This is the very first comic I ever made. Since it was only a sketch, I didn't care too much for anatomy or perspective :) Translation: Sign: The Eye Of Death Rangild: "Hmm... interesting..." Pamina: calls her name Rangild: "How long was I out?" Pamina: "Only a few minutes." Rangild: "I didn't even see anything..."

Bookmark monsters I made for Christmas - you can never have enough bookmarks. Or read too many books at once... they were sitting on the bottom of the bookmark. Copic markers on chromalux paper. They squeaked.

I did this quick study while creating a tutorial on water reflections for deviantArt. It is based on a photo I took during a visit to Hagenbeck zoo in Hamburg, it is the elephant region of the zoo which is beautifully designed to resemble southeast asian ruins (they are Indian elephants).

I finally finished my roleplaying characters from the Dark Eye setting. The twelve of them will be subitted to deviantart over the next few days. I used Painter 12's real Watercolor to paint them. I was very different from my paintings with physical watercolours because I work very wet, and I missed the accidents that happen with that medium, but the digital brushes were okay too.