After masking the blossoms, I start with a wash of green on the bottom that I flick pure water into for texture. While adding cerulean blue to the cherry dryad, I do the same here and add burnt umber and ultramarine blue, dabbing one brush in all paints and making irregular strokes and spatters, adding many but harmonious colours. I like adding paint like this in early stages since it adds both pure colour and blended strokes. I keep the browns to the lower and blues to the upper and outer part. Onto a thin wash of mostly raw and burnt umber, I add cling film from the kitchen to dry with texture, which creates a kind of branch-y texture I like a lot. I do more layers with this technique. In the end I think I should've stopped before the last layer which is fairly dark, but you never know this going on so I let it sit. I work on the face with mixtures of the previous colours, and start emphasising some twig structures and bark on...
While I didn't manage nearly as many daily (or should it be often?) environment sketches as the previous year, I still made some. Here are a few of my favourites. Working in bulk is beneficial in several ways; it makes one feel less unproductive when they are piling up, one can get short ideas out quickly, and on the improvement side, doing many of a kind both trains doing it well, and shows up weaknesses. Later I repainted several of them in acrylics to get the hang of landscapes better, because it seems I do more landscapes digitally and more portraits traditionally. Almost all in different formats because I had precut papers I wanted to use up. If you're intereted, some are available in my Etsy shop . "Why are they calling it Fish Falls if the fish don't fall? They jump." - "Jumping is upside-down falling. They just thought a three-word name would be too complicated to remember." They said that ages ago there had been four-legged, furry animals t...
Bonus information for Tiny Tip #20 Download (ranarh.deviantart.com) My twentieth tutorial from the "Ranarh's tiny tips" series. You can find the other tutorials at my deviant Art account . - The lens sticks out of the eyeball. That's why it so often catches highlights - they do not necessarily appear inside the pupil. When painting mirrored reflections, keep in mind only lit parts are reflected. Reflections can make the pupil appear less than round from afar. - The eyeball is reddish at the inner corner. Some phenotypes have a yellowish eyeball, especially very dark black skinned people. - Eyelashes with heavy black makeup are easier to paint, but I urge you to learn to paint them without first. Lashes are about as long as the eyeball in profile - often men's are longer - and stick out in irregular rows. Don't zoom in too much, that minimizes the risk of too short lashes. Under harsh light, lashes cast a long shadow, especially at the outer corner. ...
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