Fantasy/Sci-Fi Art and Illustrations, Fine Art, Tutorials
Cecilia
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A drawing for a character from the story of a friend. The setting constitutes a Rome with magic, so I could go all in with toga, gladius, and fireball. Nice.
50×65cm, charcoal on paper.
While I didn't manage nearly as many daily (or should it be often?) environment sketches as the previous year, I still made some. Here are a few of my favourites. Working in bulk is beneficial in several ways; it makes one feel less unproductive when they are piling up, one can get short ideas out quickly, and on the improvement side, doing many of a kind both trains doing it well, and shows up weaknesses. Later I repainted several of them in acrylics to get the hang of landscapes better, because it seems I do more landscapes digitally and more portraits traditionally. Almost all in different formats because I had precut papers I wanted to use up. If you're intereted, some are available in my Etsy shop . "Why are they calling it Fish Falls if the fish don't fall? They jump." - "Jumping is upside-down falling. They just thought a three-word name would be too complicated to remember." They said that ages ago there had been four-legged, furry animals t...
This is a card template for a Dungeon Master presenting his players with magic items in play. There are several colour options for the frames and corners.
Several things aligned for this set of sketches - I was on a Star Wars spree after finishing Jedi: Survivor, was hunting for new fun ways to paint, and had expendable material lying about, and so upon deciding working with coloured backgrounds, I sketched jedi, of course. I need an airbrush (something that sounds so cool, but I only have ony roome to work in that isn't so easy to air while I work, and I have the feeling tht spraying a fine mist of paint will somehow, inexplicably, get into my breathing air as well. I heard airbrush artist complain about way more sinus problems a few years in, so workplace safety is a concern). While I love looking at very colourful artworks, mine are typically very saturated but lack variety, something I hope to fix with this method. The experiment continues! Each sketch is more or less the size of a postcard, the backgrounds are heavily textured from previous experiences; many have paint flakes in them or thickly-dried paint caked on (and some had...
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